One of my EIFF 2012 highlights, The Search for Emak Bakia recently played at the Telluride film festival in Colorado. My Skinny review was re-run over at Film Watch to coincide (under the title Man Ray's Footsteps), which is as good a reason as any to reprint it here too!
Taking Man Ray’s inscrutable cine-poem Emak Bakia (1927) as inspiration,
The Search for Emak Bakia sees director Oskar Alegría walk the Basque
coast with chance as his compass, following in the American surrealist’s
footsteps and taking numerous enriching detours. It’s a suitably
abstract approach: Alegría layers Man Ray’s avant-garde experiments over
recreations and re-visitations, hunting out the house that inspired the
film’s title and visiting clown graves and dreaming swine along the
way.
The film’s visual palimpsests are interspersed with text that’s by
turns informational and contemplative, while a nice sense of absurdity
keeps pretension at bay. Those with an active interest in Man Ray’s
oeuvre will understandably gain most from The Search for Emak Bakia, but
its constant inventiveness also affords the film an unexpected
accessibility, stocking it full of engrossing moments worth lingering
over. “Now I’ve gotten all muddled” confessed one interviewee, “I hope
you can untangle it later.” It’s not a straightforward task, but it’s an
immensely satisfying and inspiring one.
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